Written in English in spring 1972. First performed at the Forum Theater of the Lincoln Center, New York, in September 1972. First published by Faber and Faber, London, in 1973. First performed in Britain at the Royal Court Theatre, London, on 16 January 1973.

Written in English in spring 1972. First performed at the Forum Theater of the Lincoln Center, New York, in September 1972. First published by Faber and Faber, London, in 1973. First performed in Britain at the Royal Court Theatre, London, on 16 January 1973.

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A case of mistaken identity becomes a living nightmare when a young actress finds herself relentlessly assailed by debt collectors.

We don't have an overview translated in English. Help us expand our database by adding one.

A school student and her European-born grandmother share sad stories of their lives.

Kim Min Gyu has wealth and success, but lives an isolated life due to his allergy of people. He then meets and falls in love with a girl who is pretending to be a robot for her ex-boyfriend, a genius robots professor.

Convicted of witchcraft, 8-year-old Shula is brought to live in a penal colony where witches do hard labour in service of the government.

Things are not looking good for Brook, a young, talented singer/songwriter who has become the clichéd tortured artist. Slow to come to terms with the death of his mother, Brook is self-absorbed, aggressive, and the major obstruction to his own career success. His isolation is lifted when his three sisters and estranged father come to spread his mother’s ashes. Brook’s loving sisters have a magical effect on his anger and apathy, suggesting there may be hope for the misanthropic musician after all.

This film is a fascinating look at some people afflicted with congenital deformities of an extreme nature. Their ability to live with their aberrations while remaining socially involved and upbeat is truly inspirational. While their predecessors were often seen in so called "freak shows" that were part of various exhibitions from Coney Island to traveling circuses, these performers were actually the more fortunate ones in an era of little tolerance for those who were different from the accepted norm. Many became famous and extremely wealthy, such as Tom Thumb (Charles Sherwood Stratton), who worked for many years with P.T. Barnum.